A license does not expire: you can continue using the version of PTGui or PTGui Pro for which your license is valid. Regardless of the type, each license includes free updates for one year after purchase. Pro Company License for 3 seats is £318 +vat = £381 Standard Company License for 3 seats is £164 +vat = £197 Standard Personal License is £72 +vat = £87 The PTGui Pro version offers full support for HDR (High Dynamic Range) 360 panoramas. PTGui has a really good trial version which is fully functional, with no time limit or close out pressure, but stitched panoramas have a visible PTGui watermark. PTGui includes interactive panorama viewers both for local viewing on your computer, and for embedding in a web page. PTGui stitches and allows you to create fully spherical 360° x 180° panoramas for drone photography. The application is downloaded onto your computer and thanks to OpenCL GPU acceleration PTGui is able to stitch a 1 Gigapixel panorama in about 25 seconds on modest hardware. It has now evolved into a full featured, industry leading photo stitching application. The software originally started as a Graphical User Interface for Panorama Tools which is where the name “PTGui” comes from. It comes in a free trial version and two paid versions Standard and Pro. No matter if a lens has barrel, pincushion or moustache style distortions etc., all those defects simply go away.ĬAVEAT: If your gear is not supported, you miss out on a few of PhotoLabs best features.PTGui is panoramic image stitching software for Windows and Mac OS X. I simply happen to have PhotoLab (had it for years) and use it as needed, the new noise reduction tool is the best I know of, and provided lens/camera modules save me from having to do it myself. There are other products or possibilities to correct lens distortions of course. Supported gear can be checked on the respective pages. Because of the sheer number of lens/camera combinations, not every possible combination can be measured though. Combinations are measured and correction data is provided and applied automatically in DxO PhotoLab based on recorded metadata. If you check out, you can see that lenses perform to different levels, depending on aperture, distance, zoom settings and on the camera which it is attached to. Second, you want any movement of your film between shots to keep it perfectly in line with the previous shot… having a film carrier that lets you mechanically advance the frame is ideal… if you have to try to move your film by hand, it’s likely it won’t be perfectly parallel with the previous shot.ĭxO lens/camera modules contain all data on specific camera and lens combinations. You can use the mirror alignment trick to do this. First, you want to make sure that your camera is perfectly in plane with your film. The most crucial part of getting this right is your camera scanning setup.If you plan on stitching together more than 2 frames, you might be better off doing it in Photoshop or PTGui. You can see more of my tips on pano merges in Lightroom here. Lightroom’s options are limited, but the biggest advantage of Lightroom is that the resulting stitch remains fully RAW, so you are not losing any of the underlying raw camera data and can just continue to work off it non-destructively. And Photoshop will offer more options than Lightroom. PTGui will offer more options than Lightroom or Photoshop.For medium format, my approach is typically to do just 2-shot stitches, which is an easy way to double resolution, and it will stitch very easily in Lightroom or anywhere else you try. With 6 shots, you will be quite close to the image and may end up not having enough context in each frame for the software to find the right place to stitch. This is especially true in scenes that have lots of “empty” space, like sky. Just know that the more shots you try to stitch together, the more likely it is that you’ll run into issues getting it to stitch together. Hi few thoughts to answer your questions.
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